Issue 13 (May 2018) of FRAMES CINEMA JOURNAL is dedicated to FILM FESTIVALS: AFTERMATHS AND BEYOND, and is guest edited by Dina Iordanova. It opens up with Letter from the Editors, doctoral candidates Cassice Last and Sophie Hopmeier.
Introduced by Dina Iordanova, in a piece entitled The Film Festival: Principal Node in Film Culture it contains new studies related to activist festivals in the spheres of politics and LGBTQ matters
FEATURE ARTICLES
Not Only Projections in a Dark Room: Theorizing Activist Film Festivals in the Lives of Campaigns and Social Movements, by Lyell Davies
Stories from the Margins: The Practicality and Ethics of Refugee Film Festivals by Sarah Breyfogle
Commercialisation as a Tool: The Commercial Transformation of the Hong Kong Lesbian and Gay Film Festival by Heshen Xie
Incestuous Festivals: Friendships, John Greyson, and the Toronto Scene by Antoine Damiens
POINT OF VIEW REPORTS from around the world
Tracing Bodo Film Festival: The Makings of a Local Film Festival by Ankush Bhuyan
A “Farm System” in an Emerging Texas Film Festival Circuit by Ted Fisher
Framed Space and Framing Spaces: 61st BFI London Film Festival in Review by Mina Radovic
BOOK REVIEWS
Film Festivals and Anthropology by Liz Czach
Activist Film Festivals: Towards a Political Subject by Liz Czach